Written over the course of three decades, this extraordinary collection of new and selected poems presents a body of work from Deborah Keenan that is expressive variously of love and rage, vulnerability and authority, distraction and focus, and, perhaps above all, a sharply empathetic sense of observation. Keenan's work balances holding on to what is dear with letting go of what she cannot change. With refreshing curiosity, these poems capture...

A grim prognosis, brain cancer, leaves the speaker in Kirkpatrick's Odessa fighting for her life. The tumor presses against her amygdalae, the "emotional core of the self," and central to the process of memory. In poems endowed with this emotional charge but void of sentimentality, Kirkpatrick sets out to recreate what was lost by fashioning a dreamlike reality. Odessa, "roof of the underworld," a refuge at once real and imagined, resembles simultaneously...

Contains a collection of poems by the author, set in countries and places around the world, that expound on themes of place, travel, home, and migration.

Contains a collection of poems by the author that explore how word meanings lost in translation have affected her life--especially within her Japanese and American heritages--and her attempts to be fully understood by others.

Contains a collection of poems by the author exploring casual interactions with one's environment, one's sense of self, and the humorous moments of everyday life.

The world comes to life on a snow-melting day.

In Spoon River Anthology, the American poet Edgar Lee Masters (1869–1950) created a series of compelling free-verse monologues in which former citizens of a mythical Midwestern town speak touchingly from the grave of the thwarted hopes and dream of their lives. First published in book form in 1915, the Anthology was the crowning achievement of Masters' career as a poet, and a work that would become a landmark of 20th-century American literature....

A collection of short poems with such titles as "I Can't Move Mountains," "Junkyard," and "Greenhouse in March."

"In his first collection since Fancy Beasts, a book that "slice[d] straight through nerve and marrow on its way to the heart and mind of the matter" (Tracy K. Smith), Alex Lemon dazzles us again with his exuberance and candor. Whether in unrestrained descriptions of sensory overload or tender meditations on fatherhood and mortality, Lemon blurs that nebulous line between the personal and the pop-cultural. These poems are full of frenetic energy and...